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1. The term ‘Matu’ is used for which of
the following ?
(A) Mukam
(B) Textual part of a song
(C) Matra
(D) Murki
2. According to ancient scholars the term
‘vipanchi’ was used for which of the
following ?
(A) Nine string veena
(B) Seven string veena
(C) Twelve string veena
(D) Three string veena
3. As per the method of placement of
‘swaras’ on the 36" wire of veena,
what is the place of ‘shudha-madhyam’
according to Pt. Ahobal ?
(A) 32" (B) 18"
(C) 27" (D) 20"
4. ‘Geer’, ‘Gatu’, ‘Gatha’ and ‘Gayatra’
are used in ‘Rigveda’ as a synonym of
(A) Ganesha
(B) Girdhari
(C) Gayatri
(D) Geet
5. Which are the two main components of
‘Sam Veda’ ?
(A) Sanyukta – Niryukta
(B) Avahan – Avgahan
(C) Dhankshree – Geetangi
(D) Archik – Gan
6. Which is the correct order for
‘Uddata’, ‘Anuddata’, and ‘Swarita’
respectively ?
(A) Lower, middle, upper
(B) Upper, middle, lower
(C) Upper, lower, middle
(D) Middle, upper, lower
7. Famous Rabindra Sangeet composed in
Purvi Raga is
(A) Jago mangalo loke
(B) Joto tara tabo aakashe
(C) Kar Milan chao birohi
(D) Amar man mane na
8. Which Nritya Natya is created by
Rabindranath to support of Mahatma
Gandhi’s ‘Harijan Unmulan Andolan’ ?
(A) Chandalika
(B) Shyama
(C) Shap Mochan
(D) Natir puja

MUSIC
Paper – III
(Hindustani / Karnatak / Rabindra Sangeet / Percussion Instrument – Vocal/
Instrumental and Musicology)
Special Instructions :
This paper has two parts. Part-I consists of 50 objective questions common to all,
which is compulsory and carries 2 marks each.
Part – II has Four sections viz Part II, Part III, Part IV, Part V – Hindustani,
Karnatak, Rabindra Sangeet and Percussion Instruments with 25 questions each of 2
marks each. Candidates should select any one of the Part II / Part III / Part IV / Part
V as per his / her discipline.

PART – I

9. The last prabanda which is kept lively
even today ?
(A) Nowka Charitram
(B) Geetgovindam
(C) Nandanar Charitam
(D) Krishnalila Tarangani
10. Tick the correct order of chronology of
the following :
(A) Geet Govind, Natyashastra,
Sangeet Ratnakar
(B) Sangeet Ratnakar, Natyashastra,
Geet Govind
(C) Natyashastra, Geet Govind,
Sangeet Ratnakar
(D) Natyashastra, Sangeet Ratnakar,
Geet Govind
11. The modulation of voice is expressed
through
(A) Kaku (B) Laya
(C) Bandish (D) Tala
12. What is the interval between Madhyam
and Tar Shadaj ?
(A) 2 : 3 (B) 3 : 4
(C) 4 : 5 (D) 8 : 9
13. Who is the author of “Music of
Hindustan” ?
(A) William Jones
(B) N. Augustus Williard
(C) E. Clementz
(D) Fox Strangeways
14. Name the famous musicologist
(A) Kishori Amonkar
(B) Prabha Atre
(C) Pt. Jasraj
(D) B.C. Deva
15. What is the name of Odav Scale in
western music ?
(A) Heptatonic Scale
(B) Hexatonic Scale
(C) Natural Scale
(D) Pentatonic scale
16. Match the following :
List – I List – II
a. Siddharam
Jadhav
i. Vichitra
Veena
b. Vinayak Vora ii. Guitar
c. Ramesh Prem iii. Taar Shehanai
d. Brijbhushan
Kabra
iv. Sundari
Codes :
a b c d
(A) iii i ii iv
(B) ii iv iii i
(C) iv iii i ii
(D) i iv ii iii
17. Who introduced Sargam Swarlipi and
Sanketic Swarlipi ?
(A) Maulabaksh
(B) Krishnadhan Bandopadhya
(C) Pt. Vishnu Digamber Paluskar
(D) Pt. Vishnu Narayan Bhatkhande
18. Who introduced the word ‘Raga’ for
the first time in the musical texts ?
(A) Sharangdev
(B) Matang
(C) Narad
(D) Dattil

19. Who originated the Pushtimarg ?
(A) Aadi Shankaracharya
(B) Shri Vallabhacharya
(C) Ramamatya
(D) Kumbhandas
20. Singing based on a single note is
known as
(A) Samik (B) Gathik
(C) Archic (D) Aaranyak
21. Match the following :
List – I List – II
a. Pt. Ramshrya
Zha
i. Abhinav Geet
Manjiri
b. Pt. Kumar
Gandharv
ii. Bhavarang
Lahiri
c. Pt. Balwantrai
Bhatt
iii. Abhinav
Geetanjali
d. Pt. Annasaheb
Ratanjankar
iv. Anupragvilas
Codes :
a b c d
(A) iii iv ii i
(B) iv ii i iii
(C) ii i iii iv
(D) i iii iv ii
22. Which western sign is used for 1 Matra
in Indian music ?
(A) Minim
(B) Crotchet
(C) Quaver
(D) Breve
23. What is the interval between Gandhar
and Madhyam ?
(A) Major Tone Interval
(B) Minor Tone Interval
(C) Major Sixth Interval
(D) Semi Tone Interval
24. The author of “Sahsaras” Grantha is
(A) Raghunath Bhoop
(B) Krishna Nand Vyas
(C) Jaidev Thakur
(D) Nayak Bakshoo
25. How many Rasas have been mentioned
by Bharat in Natyashastra ?
(A) 9 (B) 8
(C) 7 (D) 6
26. Layakari of playing 6 swaras in the
duration of 4 Matras in Western Music
is
(A) Septolet
(B) Sextolet
(C) Quintuplet
(D) Quadruplet
27. Who wrote commentary on “Nardiya
Shiksha” ?
(A) Maharana Kumbha
(B) Bhatt Shubhankar
(C) Dattil
(D) Parshvadeva

28. What was the title name of Firoz
Khan ?
(A) Sadarang
(B) Adarang
(C) Rangeele
(D) Prem Priya
29. The musicologist who divided Ragas
into two parts i.e. Gram Raga and
Bhasha Ragas
(A) Narad
(B) Bharat
(C) Matang
(D) Sarangdeva
30. Tick the correct name for denoting the
value of
14
note in staff notation.
(A) Crotehel
(B) Quaver
(C) Minim
(D) Semibreve
31. Who has been a famous conductor of
western orchestra ?
(A) Pt. Ravishankar
(B) Hari Prasad Chaurasia
(C) Ustad Allauddin Khan
(D) Zubin Mehta
32. The main folk dance form of Manipur
State is
(A) Chau
(B) Kalvalia
(C) Maharas
(D) Rai-Shera
33. One of the main objectives of teaching
music is also
(A) to encourage social justice
(B) to provide proper leadership
(C) to discover new facts
(D) to establish music at par with
other disciplines
34. Which Sampraday was followed by
Matang and Abhinavgupta ?
(A) Bharat Mat
(B) Hanumat Mat
(C) Shiv Mat
(D) Brahma Mat
35. The main objective of Research in
music is
(A) to propagate the musicological
aspect
(B) to bring out the historical aspect
(C) to discover new facts
(D) to strengthen the practical aspect
36. Guru of Matang
(A) Bharat
(B) Dattil
(C) Abhinav Gupta
(D) Acharya Nandikeshwara
37. The symbol denoting the position of
Madhya ‘Sa’ in Staff Notation is
(A) Clef signature
(B) Key signature
(C) Time signature
(D) Value of Notes
38. The philosopher who adopted the view
of utility in Aesthetics
(A) Plato
(B) Socrates
(C) Kant
(D) Hegal
39. ‘Angika’, ‘Vachika’, ‘Aharya’ and
‘Satvik’ are related to
(A) Pakhawaj
(B) Dhrupad
(C) Khayal Gharana
(D) Dance

40. Which one of the following name is
also used for Kathak dance ?
(A) Bhramar Nritya
(B) Girdhari Nritya
(C) Natwari Nritya
(D) Nagri Nritya
41. In the reign of which of the following
emperors, the merger of North Indian
and South Indian music took place ?
(A) Shivaji Maharaj
(B) Allauddin Khilji
(C) Shahjahan
(D) Humayun
42. Which musicologist adopted the
Sansthan Niyam in Raga-Ragini
classification ?
(A) Lochan
(B) Chandidas
(C) Ramamatya
(D) Vidyapati
43. Name of the deshi taal
(A) Singhkati
(B) Singh Nandan
(C) Singh Bhoopal
(D) Singh Vandana
44. Total number of Matras of Taal
Shadpitaputrak
(A) 10 (B) 8
(C) 4 (D) 12
45. Baj of Tabla playing
(A) 6 (B) 4
(C) 2 (D) 1
46. Total number of main syllables of
Tabla
(A) 10 (B) 7
(C) 5 (D) 16
47. Gharana established by Pt. Ram Sahay
(A) Lucknow Gharana
(B) Farukhabad Gharana
(C) Ajarada Gharana
(D) Banaras Gharana
48. Which title was awarded to Gyan
Prakash Ghosh (a famous Tabla- player) ?
(A) Padmashree
(B) Padma Bhushan
(C) Bharat Bhushan
(D) Bharat Ratna
49. Which composition is expandable from
the following ?
(A) Tukda
(B) Tihai
(C) Fard
(D) Rela
50. ‘Taal’ used with ‘Sadra’ style of
singing
(A) Matt Taal
(B) Tivra
(C) Sool Taal
(D) Gaj Jhampa

51. Who was the disciple of Pt.
Balkrishnabuva Ichalkaranjikar ?
(A) Pt. Kumar Gandharva
(B) Pt. Bhimsen Joshi
(C) Pt. Vishnu Digamber Paluskar
(D) Pt. Omkarnath Thakur
52. In which tala famous vocalist Ustad
Amir Khan has sung maximum
Velambit Khyals ?
(A) Teental
(B) Ektala
(C) Zoomra
(D) Tilwada
53. What is the term for Shruti in Western
Music ?
(A) Tone
(B) Scale
(C) Microtone
(D) Semitone
54. How many Gram Ragas have been
mentioned in Music Granthas ?
(A) 10
(B) 72
(C) 30
(D) 20
55. What is the pen-name of Goharjaan ?
(A) Chhaganpiya
(B) Daraspiya
(C) Sagunpiya
(D) Prempiya
56. The name of Vidushi Kesarbai
Kerkar’s Guruji is
(A) Allauddin Khan
(B) Bhaskarbuva Bakhale
(C) Alladiya Khan
(D) Ramkrishnabuva Vazhe
57. Placement of ‘Dhaivat’ in the present
division of Shruti and Swara is
(A) 14th Shruti
(B) 16th Shruti
(C) 18th Shruti
(D) 20th Shruti
58. Which Raga does not belong to Kafi
Thata ?
(A) Durga
(B) Gaud Malhar
(C) Bhimpalasi
(D) Bogeshwari
PART – II
59. Frequency of ‘Pancham’ is
(A) 360
(B) 320
(C) 300
(D) 270
60. Writer of Brihaddeshi is
(A) Matang
(B) Sarangdeva
(C) Dattil
(D) None of these
61. Book Authored by Pt. Omkarnath
Thakur is
(A) Sangeetanjali
(B) Abhinav Sangeet
(C) Sangeetraj
(D) Rag Vigyan
62. Acharya of Grammar is
(A) Panini
(B) Bhankar Bhav
(C) Ramgopal
(D) Kanthe Maharaj
63. Padma Shri Awardee Artist of 2012 is
(A) Pt. Buddhadev Das Gupta
(B) Zia Fariduddin Dagar
(C) Bhupendra Hazarika
(D) None of these
64. What is the term used for small phrases
in music ?
(A) Akshiptika
(B) Sthay
(C) Mukhchalan
(D) Murki
65. Match List – I with List – II and select
the correct answer by using the codes
given below the lists :
List – I List – II
a. Matang 1. Swara Mela
Kala Nidhi
b. Ramamatya 2. Rag Tarangini
c. Lochan 3. Brihaddeshi
d. Somnath 4. Rag Vibodh
Codes :
a b c d
(A) 3 1 2 4
(B) 2 3 4 1
(C) 4 2 1 3
(D) 2 4 3 1
66. The Rhythm of Staff Notation similar
to Ektal of Hindustani Music is
(A) Simple Duple Time
(B) Simple Triple Time
(C) Simple Quadruple Time
(D) Compound Duple
67. Which Raga does not belong to
‘Kanhra Anga’ ?
(A) Bhimpalasi
(B) Adana
(C) Shahana
(D) Suha

68. The following combination of notes
depicts which Raga ?
‘Pa Dha, Ma Pa, Ga Ma Dha Pa, Re Sa’
(A) Bhatiyar
(B) Marubihag
(C) Bihag
(D) Nand
69. Tumba of Tambura is made of
(A) Wood
(B) Red Pumpkin
(C) White Gourd
(D) None of these
70. Match List – I with List – II and select
the correct symbols of western staff
notation by using the codes given
below the lists :
List – I List – II
a. Crochet 1. 0
b. Semi breve 2.
c. Minim 3.
d. Quaver 4.
Codes :
a b c d
(A) 4 1 2 3
(B) 2 3 1 4
(C) 4 2 3 1
(D) 3 4 2 1
71. Which Treatise is written by Prof.
Premlata Sharma ?
(A) Ras Sidhanta : Mul, Shakha,
Pallav, Patjhar
(B) Bhartiya Sangeet Ka Itihas
(C) Sangeet Manjari
(D) Sangeet Bodh
72. The word used for ‘Art’ in Vedic yug
(A) Udar Kala
(B) Rupatmak Kala
(C) Shilp
(D) Pratikvadi Kala
73. Karun Ras is related to which swaras ?
(A) Sharaj – Rishabh
(B) Gandhar – Nishad
(C) Gandhar – Pancham
(D) Gandhar – Madhyam
74. What is the term for small parts of
Geet and Alaps ?
(A) Roopkalapti
(B) Bidari
(C) Sthayi
(D) Matu
75. Which Gharana pays special attention
to ‘Layakari’ ?
(A) Kirana
(B) Gwalior
(C) Patiala
(D) Agra

51. The term ‘Vasu’ stands for the number
(A) 7 (B) 8
(C) 9 (D) 10
52. Name of 12th Chakra is
(A) Rudra (B) Disi
(C) Aditya (D) Rishi
53. Value of the Vivadi interval is
(A) one Sruti (B) two Srutis
(C) three Srutis (D) four Srutis
54. Name of 50th melakartha raga is
(A) Namanarayani
(B) Visvambhari
(C) Gamanasrama
(D) Dhavalambari
55. Who is the author of Silappadikaram ?
(A) Andal
(B) Bharathiyar
(C) Ilangovadikal
(D) Tirujnana Sambandar
56. Sudda mela of ancient Tamils
corresponds to the modern mela ?
(A) Natabhairavi
(B) Sankarabharanam
(C) Hanuma thodi
(D) Harikamboj
57. Select the original name of Manika
Vasagar :
(A) Vadavurar
(B) Tayumanavar
(C) Adiyarkkunallar
(D) Andal
58. Composer of 72 Melaragamalika is
(A) Maha Vaidyanatha Iyer
(B) Patnam Subramanya Iyer
(C) Pallavi Seshayer
(D) Subbarama Iyer
59. The name Sri comes in
(A) Sapta tala scheme
(B) Shodasa Swaras
(C) Bhutha Sankya
(D) Chappu Talas
60. Bana-ma denotes the raga
(A) Maya Malavagavla
(B) Dheera Sankarabharanam
(C) Mecha Kalyani
(D) Kharaharapriya
61. What was the ancient name for
orchestra in India ?
(A) Kutapa (B) Brinda
(C) Grama (D) Murchhana
62. ‘Ninnukori’ Aditala varnam in
Mohanam raga is composed by
(A) Swati Thirunal
(B) Ramanad Srinivasa Iyyangar
(C) Patnam Subramanya Iyer
(D) Pallavi Sheshayyar
63. Select the Ubhayavakra ragam from
the following :
(A) Begada
(B) Reethigavla
(C) Gavla
(D) Sri
PART – III
64. Who is Uthama Vaggeya ?
(A) One who is author of both music
and lyrics.
(B) One who is the composer of only
music.
(C) One who is the composer of only
lyrics.
(D) One who is the author of
Lakshana Granthas.
65. Tisrajathi Druvtala is having how
many matras ?
(A) 11 (B) 10
(C) 14 (D) 8
66. Anudrutam is used in which tala ?
(A) Jhampa tala
(B) Rupaka tala
(C) Ata tala
(D) Mattya tala
67. Select one itaranama mudrakar :
(A) Syama Sastri
(B) Swati Thirunal
(C) Tyagaraja
(D) Ramanad Srinivasa Iyyangar
68. Mandari is a janya raga of
(A) 63rd Melakartha
(B) 65th Melakartha
(C) 51st Melakartha
(D) 45th Melakartha
69. ‘Kedaram’ is a
(A) Arohana Vakra raga
(B) Avarohana Vakra raga
(C) Ubhaya Vakra raga
(D) Shadava – Shadava ragam
70. Bilahari is a
(A) Dvi anyaswara Bhashanga raga
(B) Three anyaswara Bhashanga raga
(C) Ekanyaswara Bhashanga raga
(D) Upanka raga
71. Who is the father of the great
composer Thiruvottiyur Tyagayyar ?
(A) Veena Seshanna
(B) Veena Kuppayyar
(C) Patnam Subramania Iyer
(D) Maha Vydyanatha Iyer
72. Who is the composer of Krishnaleela
Tharangini ?
(A) Narayana Theerthar
(B) Jayadeva
(C) Tyagaraja
(D) Bhadrachalam Ramadas
73. Name the chakra of Simhendra
Madyamam Raga :
(A) Rishi (B) Disi
(C) Aditya (D) Netra
74. Who composed ‘Ahstothara
Satharagamalika ?
(A) Muthuswami Dikshitar
(B) Syama Sastri
(C) Tyagaraja
(D) Maha Vydyanatha Iyer
75. Which reputed book was given to
Tyagaraja by Saint Narada ?
(A) Swararnavam
(B) Naradiya Siksha
(C) Brihaddesi
(D) Ragavibodha

51. Which opera was the first one written
by Rabindranath ?
(A) Parishodh
(B) Mayar Khela
(C) Valmiki-Pratibha
(D) Kalmrigaya
52. In which opera is the song ‘Sakali
phooralo’ included ?
(A) Valmiki Pratibha
(B) Kalmrigaya
(C) Parishodh
(D) Mayar Khela
53. What is the total number of songs
written by Tagore ?
(A) 4,000
(B) 3,500
(C) 2,000
(D) None of these
54. Who prepared the maximum number
of notations of Tagore’s song ?
(A) Sarala Devi
(B) Jyotirindranath Tagore
(C) Dinendranath Tagore
(D) Indira Devi
55. Which of the following songs is based
on Western Music ?
(A) Phule phule dhole dhole
(B) Prem e chhilo
(C) Basanta ki sudhu kebal
(D) Eyito bhalo legechhilo
56. Which song was composed by Tagore
for harvest ceremony ?
(A) Jete jodi hoi, jabo
(B) Aaye re mora fasal kati
(C) O amar desher mati
(D) Esho shyamol sundaro
57. The song ‘eto din je boshechhilem path
cheye aar kaal gooney’ is included
under the thematic category :
(A) Prakriti
(B) Puja
(C) Bichitra
(D) Swadesh
58. The song ‘Suno lo suno lo balika’ is
from
(A) Valmiki Pratibha
(B) Mayar khela
(C) Shyama
(D) Bhanusingher Paadvali

59. Rabindranath composed the song ‘Joy
hok taba joy’ on the occasion of
(A) Wedding of Surendranath Tagore
(B) Felicitation of Jagdishchandra
Bose
(C) Felicitation of Bankimchandra
(D) Thirty Second Indian National
Congress
60. In which dance drama does the
character ‘Uttiyo’ appear ?
(A) Kaalmrigaya
(B) Shyama
(C) Valmiki-Pratibha
(D) Chandalika
61. In which dance drama does the
character ‘Prakriti’ appear ?
(A) Chandalika
(B) Shyama
(C) Mayar Khela
(D) Valmiki-Pratibha
62. The song ‘aaj jyotsnarate sobai gechhe
boney’ is from the thematic category
(A) Prakriti
(B) Bichitra
(C) Swadesh
(D) Puja
63. The first English translation of the
song ‘Jana gana mana adhinayaka’ was
made by
(A) Bhimrao Shastri
(B) Indira Devi
(C) Dwijendralal Roy
(D) Rabindranath Tagore
64. In which year did Tagore renounce his
knighthood ?
(A) 1918
(B) 1919
(C) 1928
(D) 1940
65. What is the source of the name
‘Pratibha’ in Tagore’s ‘Valmiki-
Pratibha’ ?
(A) It was his daughter’s name.
(B) It was his brother’s daughter’s
name.
(C) It refers to the talent of Valmiki.
(D) It was Indira Devi’s daughter’s
name.
66. On what raag is the song ‘Shudhu Jaoa
asha shudhu smriti bhara’ based ?
(A) Misra-behag
(B) Khambaj
(C) Yaman-Kalyan
(D) Vibhas

67. In which taal was the song ‘gaanguli
mor saibaleri dal’ based ?
(A) Jhaptal (B) Ektaal
(C) Choutal (D) Thumri
68. What was the name of the school
founded by Tagore in Shantiniketan ?
(A) Shantiniketan Vidya Bhavan
(B) Shantiniketan Pathshala
(C) Shantiniketan Ashrama Vidyalaya
(D) Shantiniketan Vidya Mandir
69. The theme of Gitinatya Kalmrigaya is
based on
(A) Ramayan
(B) Mahabharta
(C) Puran
(D) Brahman
70. Which song is not included in Basant
Seasonal song ?
(A) Ore griho basi
(B) Aj Sabar range rang milate hobe
(C) Basanto Jagroto dare
(D) Pous toder dak diyeche
71. Which is not a Swadeshi Sangeet ?
(A) Oei Bhuwanmohini Ma
(B) Je Tomaye Chare Charuk
(C) Banglar Mati Banglar Jal
(D) Namo Namo Karuna Ghano
Namo He
72. Identify the raga and Tal of the song
“Mahaviswe Mahakashe Mahakal
Majhe” :
(A) Yaman, Tiwra
(B) Bilabal, Jhumra
(C) Yaman, Jhaptal
(D) Bhairav, Tiwra
73. Which song is not included in Bichitra
Paryaye ?
(A) Jaboe Ami Jaboe
(B) Dur Deshi Oei Rakhal Chhele
(C) Ogo Nadi Apan Bege
(D) Klanti Amar Khama Karo Prabhu
74. Which song is composed by
Rabindranath accordingly a gat based
on Raga Desh ?
(A) Aso Shymolo Suodoro
(B) Bajilo Kahar Vina
(C) Biroso Din, Birola kaj
(D) Kato Katha Tare
75. Which song is used in the Basantosav
Procession at Shantiniketan ?
(A) Ore Grihorasi
(B) Aji Dhaner Khete
(C) Hey, Chironutan
(D) Duyare Dao More Rakhiya

51. Composition consisting of Tihai which
is played three times and reaches sam
(A) Tihai (B) Mukhada
(C) Chakradar (D) Peshkar
52. Who is not a Tabla player amongst
these ?
(A) Sapan Chaudhary
(B) Dilawar Khan
(C) Jahangeer Khan
(D) Rojevel Loyal
53. Which University honoured ‘Doctor of
Music’ degree to Ustad Jahangeer
Khan ?
(A) Aligarh Muslim University
(B) Indira Kala Sangit Vishwa
Vidyalaya
(C) Delhi University
(D) Banaras Hindu Vishwa
Vidyalaya
54. Vishnu taal consists of
(A) 15 Matras (B) 16 Matras
(C) 17 Matras (D) 19 Matras
55. The Author of Bhartiya Talon ka
Shastriya Vivechan is
(A) B.C. Deva
(B) Acharya Brihaspati
(C) Appa Tulsi
(D) Arun Kumar Sen
56. Number of Taali-Khali in Taal Ek taal
(A) 3 Tali 3 khali
(B) 4 Tali 1 khali
(C) 4 Tali 2 khali
(D) 4 Tali 3 khali
57. ‘Dhatita Dha ti/ta/Dha Dha Tita Dhage
tinakin’ this quaida is related with
which gharana ?
(A) Delhi
(B) Poorab
(C) Nana Panse gharana
(D) Ajarada
58. Match the following :
List – I List – II
a. Bafati Khan i. Ghatam
b. Dilawar Khan ii. Dholak
c. Vikku Vinayak
Ram
iii. Ganjeera
d. Harishankar iv. Nakkara
Codes :
a b c d
(A) ii iv i iii
(B) i iv ii iii
(C) ii iii iv i
(D) iv iii ii i
59. Assertion (A) : More elaborations are
possible of Quaida between
Quaida and rela.
Reason (R) : Because Quaida is
composed with plenty of syllables.
Codes :
(A) (A) is correct (R) is wrong.
(B) (A) is wrong (R) is correct.
(C) (A) is correct, (R) is correct.
(D) (A) is wrong, (R) is wrong.
60. Jal-Tarang is a
(A) Tat Vadya
(B) Avanaddha Vadya
(C) Ghan Vadya
(D) Sushir Vadya
61. Quaida composed with the boles –
‘Dha dha dha ghin dha ghin dhatak
ghetak dingdinagen’ belongs to the
_______ gharana.
(A) Punajab (B) Delhi
(C) Lucknow (D) Ajarada

62. Matras of Ashtmangal taal
(A) 20 (B) 21
(C) 22 (D) 24
63. Author of “Pakhawaj Aur Tabla Ke
Gharane Aur Paramparaen” is
(A) Yogmaya Shukla
(B) Aban E. Mistri
(C) Shobharani Kudeshiya
(D) Anuradha Paal
64. Lakshan of Chachput
(A) ƒƒ1ƒ (B) ƒƒƒ
(C) ƒ11ƒ (D) ƒ1ƒ1ƒ
65. Identify the taal –
  
  
gadi gan
3
Dha

(A) Chautaal (B) Sooltaal
(C) Dhamar (D) Teevra
66. Assertion (A) : Avanaddha Vadyas are
playing an important role in music.
Reason (R) : Richness is increased
through the accompaniment of
Avanaddha Vadyas in music
concerts.
Codes :
(A) (A) wrong, (R) wrong.
(B) (A) correct, (R) wrong.
(C) (A) wrong, (R) correct.
(D) (A) correct, (R) correct.
67. ‘Ra’ of ‘Ghintaran’ is produced by
finger of
(A) Tarjani (B) Madhyama
(C) Anamika (D) Kanishtha
68. ‘Taal Kaal Kriya Manam’ is mentioned
in
(A) Amar Kosh
(B) Sangeetaranava
(C) Sangeet Darpan
(D) Sangeet Ratnakar
69. Baj of Chanti
(A) Delhi (B) Punjab
(C) Farukhabad (D) Lucknow
70. How many ‘Ghar’ are there in Dayan
Tabla ?
(A) 8 (B) 10
(C) 12 (D) 16
71. ‘Uthan’ is mostly used with
(A) Vocal Music
(B) Tantra Vadya
(C) Nritya
(D) Folk Music
72. Which Chapter is dedicated to Taal-
Anga in Natya Shashtra ?
(A) 28th (B) 29th
(C) 30th (D) 31st
73. The instrument played by Parbat Singh
(A) Tabla (B) Pakhawaj
(C) Changa (D) Upanga
74. Match the following :
List – I List – II
a. Alla Rakha i. Purushottam
Das
b. Gudai Maharaj ii. Zakir Hussain
c. Karamatulla iii. Kumar Lal
d. Ghan Shyam
Pakhawaji
iv. Sabir Khan
Codes :
a b c d
(A) i ii iv iii
(B) iii iv ii i
(C) iv iii i ii
(D) ii iii iv i
75. Match the following :
List – I List – II
a. Dhrupad i. Punjaabi Taal
b. Khayal ii. Deepchandi
c. Thumari iii. Teen Taal
d. Tappa iv. Chaar Taal
Codes :
a b c d
(A) iv iii ii i
(B) i ii iii iv
(C) ii i iv iii
(D) iii iv i ii


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I am suresh and appearing for UGC National Eligibility in the subject of music please provide me precious year question paper ?

I am proving you some of the important question of National Eligibility Test in the subject of music

Who is the author of ‘Raga Darpan’ ?
(A) Narad
(B) Bharat
(C) Faquirulla
(D) Matang

2. ‘Akhtari Bai’ was known as
(A) Akhtari Devi
(B) Bai Akhtari
(C) Begum Parveen Sultana
(D) Begum Akhtar


3. Match the followings :
List – List – II
a. Bhairav Vilaskhani Todi
b. Bhairavi Malkosh
c. Kafi Alhaiya Bilawal
d. Vilawal Ahir Bhairav

Codes :
a b c d
(A) iv i ii iii
(B) i iii ii iv
(C) ii iv iii i
(D) i iv ii iii

4. Where is Rai Umanath Bali Auditorium ?
(A) Patna
(B) Jaipur
(C) Lucknow
(D) Delhi

5. Whose statement is ‘Chatushchatush chatushchaiwa’ ?
(A) Narad
(B) Lochan
(C) Matang
(D) Bharat

6. Who s the tikakar of ‘Sangeet Rathakar’ ?
(A) Singh Bhupal
(B) Sharangadev
(C) Lochan
(D) Narad

7. What is the name of Moghubai
Kurdikar’s daughter ?
(A) Begam Akhtar
(B) Shobha Gurtu
(C) Kishori Amonkar
(D) Keserbai Kerkar






For more question I am pdf ehich help you in preparing th e exam

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National Eligibility Test paper.pdf (210.0 KB, 21 views)

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